[PDF.51gh] Class, Language, and American Film Comedy

Class, Language, and American Film Comedy

[PDF.cs74] Class, Language, and American Film Comedy

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 | #1888338 in Books |  2002-02-11 | Original language:English | PDF # 1 |  8.98 x.59 x5.98l,.80 | File type: PDF | 252 pages

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||0 of 0 people found the following review helpful.| Five Stars|By June Deery|Excellent book. Beautifully written and insightful. Enjoyable too.|0 of 1 people found the following review helpful.| Three Stars|By Kim Farris|It was okay. Not my favorite|0 of 2 people found the following review helpful.| Comedy, comedy|By Dee Robinson |"...a solid text that should be appealing to most humorists, film critics, linguists, rhetoricians, educators, and a general public interested in the history of film comedy." - Humor, William B. Covey, Slippery Rock University

Examining the evolution of American film comedy since the beginning of the sound era (c. 1930), Christopher Beach focuses on how language, class, and social relationships in early sound comedies by the Marx Brothers, the screwball comedies of the 1930s by Capra, Sturges and others, and 1950s comedies of Frank Tashlin and Vincente Minnelli, and contemporary films by Woody Allen, Whit Stillman, and the Coen brothers. Beach argues that sound and narrative expanded the semio...

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